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B.R.K. Alder

27 Blencowe Street

West Leederville 6007

Western Australia

Ph. 08 9381-3978

 

 

 

 

 

 

 

 

 

 

Dancing to the Inner Silence

 

 

 

by

 

Bart Alder

 

 

 

© Copyright 2000

 

for

My Beautiful Simone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The great Brazilian born composer Greenwich Luis Baptiste showed no early signs of being a musical genius.

His training on a three quarter size classical guitar from the age of six was unremarkable. He displayed no great ear for pitch, no sense of rhythm, no easy memory for melody. His progress in sight reading musical scores was so poor that it was joked that he would never read music, but could be painstakingly taught to mispronounce it.

He played his rather expensive guitar at one constant volume, loud enough to rattle windows. There was no sense of emotion or texture to the sounds he would produce, it was a flat, mechanical ripple, like a poorly tuned driver grinding gears on a Ferrari. He hated the time wasted, riled against the structure of the learning, the intensive practice of scales. The repetition. The repetition. The repetition. He said of his early life that music was his hatred. Music was his misery. He knew he had no desire to learn it - everybody knew it - but nonetheless it was forced upon him.

Baptiste’s english speaking mother, Angela, was tall, thin, pale, rich, frequently smart and perpetually venomous. Her total contempt of others lent her an air of hawk-like superiority. Her eyes were solid weapons, used to good effect on unwelcome or rude guests and family indiscriminately. She also truly relished her ability to destabilise the human flotsam she saw around her with well crafted stares of derision and a kind of smouldering, smoking, ever present indifference. When someone truly offended her, she would hiss as well. The effect was stronger and less comic than it sounds. She was known among the wealthy section of town as La Wicca Rica. A pidgin phrase of Old English and Spanish which had delighted her many Portuguese-speaking social enemies. They’d taken to using it generously in her absence. It meant The Rich Witch. Her hiss, it was said, could make a pregnant woman miscarry. It had happened three times.

Angela Baptiste wanted her son to become a soloist. She needed it from him like only a person clutching for greatness can. Having failed to do more with her life than marry old wealth and more especially, divorce old wealth, she needed her only child to transcend her failure and attain for her the social prestige she believed she deserved. The harder she pushed him to fulfil her missing destiny, the more she told him it was for his own sake. That he was an ungrateful brat. That she was making sacrifices for him. Angela said it so frequently that she came to believe her own lies in near record time.

His lack of promise was no obstacle to Angela. She expected to be driving him for at least fifteen years, until his 21st birthday, by which time he would already have learnt so much music and so little else, that his guitar would be his only serious option for generating income. Angela was certain her son had no talent. She also knew it didn’t much matter. If he had a tenth of the talent of others then he would simply have to practice ten times as much. Talent was no match for determination.

Greenwich Baptiste’s guitar instructor, Ms. Polly Drago, was the granddaughter of a Spanish missionary. English speaking and trained in piano, French horn, bagpipes, oboe and guitar, she was unenthusiastic about Greenwich’s chances of having any musical life, once remarking that he might do better to play with his feet. She said the only thing which interested him less than listening to music was playing it. He is said to have agreed.

All the same, Polly Drago would give him tuition every Saturday and take the warm fistful of money from his morbid, silent mother. Polly considered Greenwich to be an obscenity, a waste of her own resources musically, but he was also a financial nipple which could be milked to feed other musical brains. She took the money and used it to teach students from poorer families, students with more natural talent and with a hunger to learn. She hated Greenwich openly sometimes and could occasionally become rather fierce in her criticisms.

‘The sounds you make revolt me.’ she once blurted after having heard him massacre three different pieces in one sitting. ‘You’ve managed to offend every musical sensibility I own.’ She owned a large number of musical sensibilities. Her tone was appropriately scathing.

‘The sounds revolt me too.’ was Greenwich’s honest reply. ‘Can we please stop now?’

Polly used the moment to get the fiscal nipple to secrete a bit more cash into her life. Every time she reached a new level of inner rage at his lack of interest, his sluggish rate of progress, Polly would refuse to teach him any longer. Polly always left in anger but Angela would put a bigger offer in writing, mail it to her and Polly, mollified, invariably came back for the money. It meant new instruments could be purchased, more students could be subsidised.

Only the three Brazillian maids and the Nicaraguan cook who fed him covertly in the kitchen gave Greenwich any love, listened to his torments or feared for his future. At night, he would creep from his room, pad through the giant house to the servants’ quarters and creep into bed with one or another of the maids. He would awaken to find himself in his own bed.

If the staff were caught by Angela, carrying her sleeping guitar soloist back to his room, it would have meant sacking and disgrace. Angela was not a fool. She allowed him their love, imagining it as a merciful allowance on her part, but she expected them to never let her see it.

In spite of the danger he caused them, the maids never once asked him stop his night visits. They cherished him for his strength. They felt warmed by him. He radiated love to them and they could not help but radiate back. He stopped doing it at the age of nine. He knew he was getting too heavy to carry. He also knew it was time to grow up and face the world alone.

For eight years Greenwich Baptiste trained in classical guitar under the stern eye of his hopeful mother and although he undoubtedly became more efficient in playing, there was an ever diminishing enthusiasm for the life inside him. He was already planning to kill himself at the age of fourteen. He had only to determine which of seven alternative suicide methods involved the least pain and the least nerve, when, by a miracle, his mother choked to death on an imported, chocolate-coated walnut.

They had never been close, not once had she shed a tear for him. Not once had she cared about his life.

Angela dead, the property and her large pool of savings were put in trust for him. The executors to the trust was generously held by the same firm which had drawn it up, Madison and Benchley.

The maids were all sacked, the house was auctioned to Gonzago Madison through a mile wide loophole. The firm made cash hand over fist in the transaction process, billing hundreds of hours to the scam. Jude Benchley also kindly stepped in as auctioneer, for a significant fee of course. Thus Greenwich lost about a eighty percent of his wealth and the lifeline to his only source of love in one single weekend. The kitchens, the people, it was all gone.

He did not miss his mother remotely. In that regard he felt divested of a personal burden. His mother’s ambition and cruelty would never haunt him again, or so he expected.

He was preparing to meet with his father  - whom he’d never met before - in Panama. Before leaving Brazil, his home, his world, Greenwich Luis Baptiste lay down his guitar on the paved ground outside, stuffed it with hot coals stolen from a raging fire, and, throwing a pint bottle of gasoline at the body from ten feet away, destroyed it. The flames curled around the curved body, making fast work of it. The neck was more dense and needed more petrol before it started to glow and then finally crumble.

Dorian Eldo Baptiste, Greenwich’s father, was an engineer for an American firm in Panama building a giant bridge. His own income was more than enough to send his only child into a boarding school in the United States where he would receive a fast tuition in science and mathematics.

Dorian considered artistic things, other than social and sexual adornments like wives and mistresses, to be a vulgar waste of intellectual resources. The core sciences, physics and chemistry and the mathematics underneath, were the only fields of knowledge practical enough to be worth learning. He also believed that America was the only place in the world worth learning it.

He considered it critical, now that he was responsible for his son’s wellbeing in life, to give Greenwich the most important basics hard and fast. Beat the musical training out of him as viciously and completely as possible. It was of course for the boy’s own good.

He looked at his dirty, ragged son stepping from the train on to the concrete platform, carrying a single faded brown leather satchel, and shook his head. The boy had no bearing about him. He looked lost and despairing. Dorian felt ashamed of his meek looking waif. It turned him angry.

‘Mushy little fag.’ Dorian muttered under his breath.

Two days later, the boy was in the United States.

The California School for Young Men was a boarding school with a military feel. All school uniforms came with insignia. Students were ranked by grades first and military rank second. A private in the eleventh grade outranked anyone from the tenth grade downwards. A tenth grade general would have to polish an eleventh grade’s private’s shoes should he be so commanded. This way even generals were routinely humiliated. Greenwich started as a ninth grade private.

Greenwich was not capable of adjusting to his new prison any more than he was capable of taking to his former one.

There were a vast array of punishments open to the school principal. Official punishments were slight and formal. A letter to a parent, a withdrawal of privileges, a curfew… unofficial punishments were far more brutal and lasting. They came from within the ranks of the children themselves. Ostensibly the school was against corporal punishment, but in fact it had traded in it for decades. Corporal punishment gave the school its military backbone.

A child caught stealing knew he could expect a broken finger. A child going awol, the highest of all crimes, was, upon return, stripped naked and humiliated before the entire school body.

A child who did not salute another child of senior rank could expect a more trivial form of humiliation. Anything from scrubbing every brass rail in the school to…

 

‘I will not wash toilets.’ barked Greenwich, shaking the toothbrush with which he’d been given to do it.

‘You will or you will not eat tonight.’ growled the outraged eleventh grade Captain ‘Froggers’ MacLaine.

‘Then I will not eat tonight.’ shrugged Greenwich. ‘And I will not salute a cretin.’ It was a decision it had taken him about five seconds to reach and a remark which earned him a boot to the chest.

‘Right, you’re going to the principal.’ It was delivered as a threat-come-afterthought.

‘An excellent idea.’ countered Greenwich breathlessly. Displeased with that response, Captain MacLaine and his favourite Sergeant, Woodstock Bullion, kicked Greenwich a few more times until he spat blood. Then they dragged him to the principal’s office.

Principal Vernon T. Gernan was something of a human optical illusion in the sense that he appeared to be a stupendously uncomplicated man to the naked eye, when in fact he was actually a sturdy intellect on a pair of idle shoulders. He could sit on his well cushioned bottom for eons, shifting every month or so to allow his arse to adopt a new position of comfort. His greatest love was to read about fly fishing. Whole hours would disappear into rivers of words, he’d feel the reel with his hands, see the rippling, flashing water rushing past and around his boots, hear the whipping of the rod and the fly, the splash in the water, the sweat of the struggle to reel in a fighting trout.

There was a knock.

He put down his copy of Angler’s Momentum: Secrets of the River as the door opened meekly. An apologetic face shrouded by curly shoulder length hair appeared around an open sliver.

‘I’m sorry to bother you principal Gernan, but there’s a problem that doesn’t seem to have any really easy solution.’

‘What is it now Mabeline for gawd’s underpants?’ growled Vernon.

‘It’s a new boy. He’s… insolent.’ Her manner was one of troubled confusion. A difficulty with finding the right expression. That and nothing else caught Gernan’s attention. ‘He… ahhh…  refuses to salute.’ she whispered eventually, in case it was top secret information.

Who?’ screamed the principal. ‘Who won’t he salute?’

Anyone. He says he won’t salute anyone he doesn’t know.’

‘SEND HIM IN HERE… RIGHT NOW!’

Greenwich waited for no further invitation. Pushing past Mabeline, opening the door wider, with a gentle ‘Thankyou.’ he wobbled into the room, wretched and bruised. Barely able to stand he smiled at the principal. Mabeline closed the door to block out the worst of the carnage.

Inside the room, Greenwich had been given his first chance to speak.

‘I’m going to give you three seconds to change your mind.’ said Gernan. Three seconds was more than long enough for the boy to lob his first verbal stun grenade.

‘I’m ready to leave your school now.’

‘I’m… sorry?’

‘I’ve had enough of all this good education. I think I preferred the bad sort rather more.’ he said.

‘Ummm.’

‘Thankyou for having me, but I will never salute a buffoon. So I must leave… you understand… for the good of the school.’

It was clearly a rehearsed speech but the effect was startling all the same.

Vernon turned his seat to face the window, his back to Greenwich to conceal his confusion. Giving himself a few seconds to recover his senses, he came to be very impressed. Every single child in his five years as principal had crawled in, saluted, offered all kinds of dreadful apologies for their uncomplicated sins, some of them had even cried with regret and guilt, horrifying him with their complete weakness. This beaten, bleeding creep had staggered in, issuing solid and eloquent ultimatums. He talked like an adult and not like a spineless one.

Vernon T. Gernan swirled around to face the boy again.

Why will you not salute?’ sneered Vernon arching his fingers predatorially against each other. Hoping to catch the boy on a question he had no rehearsed answer for, a question asked in a manner that should have made the boy feel exposed, forced him to  want to recoil, pin him back down to the mat. Make him feel small.

The brat smiled.

‘Because it’s a fool who salutes a fool while pretending to have respect. And the people I am expected to salute are all undoubtedly fools.’

‘How do you know they’re fools?’

‘Logic.’ declared Greenwich, ‘All they do all day is salute other fools. If they had any brains, they wouldn’t salute.’

Vernon was impressed indeed. There was no doubting the power of the argument. The students were all fools and there was all kinds of evidence for it. Saluting was only one of many rituals of foolishness but that was no reason to deliver crusading ultimatums over the matter. Vernon T. Gernan was in no mood to tolerate this kind of conduct from a pip squeak. The kid had him by the balls, but Vernon had ahold of the kid and he was worth fifteen thousand a semester. There was only one proper punishment.

‘You do not have to salute anyone.’ he worked hard not to smirk.

Greenwich was taken aback.

‘Instead, everyone else must salute you. I am promoting you to the status of a second order general.’ Gernan saluted. The smirk was working harder now, still trying to break out too soon and steal his moment of glory.

‘A second order general?’ Greenwich blinked a few times to let the words sink in. They remained floating at the top of his head no matter how much downwards force his brain applied. Second order general.  It was too horrible.

‘You disgust me young man.’ Vernon mumbled. ‘But your argument is dazzling and I wouldn’t part with you for the world. You’re just the kind of second order general this school needs. Someone who takes no crap.’ He saluted again, this time on cue, the smirk came and with it a tendency to snort.

‘What actually is a second order general?’

Principal Gernan had of course just invented the idea, but there was no need for the mangy little bloodstain to know that. ‘A specially awarded rank. Beyond the grade system. Even graduating generals will have to salute you. A student on almost equal terms with the staff.’

It was the worst punishment he could have handed out. He saluted again to make the point as clear as he could.

‘This fight is not over.’ promised Greenwich furiously. He went to leave the room. He felt trapped.

‘You can’t leave until you get your new uniform. How far do you think you’ll get?’ Gernan pressed a button on his desk. ‘Mabeline, I want you to order a full assembly immediately.’

A full assembly was duly ordered. Greenwich was displayed in his new livery before the whole school. They were told who he was and that they now had to salute him without thought or question. It was tonelessly explained that he was a second order general. The generals and privates all assumed he was a genius and had been given accordingly high status. They feared Greenwich from that moment on because suddenly he’d become immensely powerful in a system they had spent years scaling, without, it suddenly seemed, any real progress.

With the secret out that all one had to do to become a second order general was to refuse to salute, a temporary outbreak of defiance came upon the school. Vernon T. Gernan was not so easily misled by weaker minds trying the same ruse. The first student brought before him refusing to salute was also given three seconds to change his mind.

Two seconds were all that were required. The hand went to the child’s forehead and with a voice clipped of pride, ‘Sorry sir.’ were the only words needed to grind the hasty revolt to an inauspicious end. Greenwich was sole second order general of the school. The system around him failed to crash, instead he became part of its folklore. Greenwich despised being used in such a way. The principal had certainly won the first battle.

And so it came to be that Greenwich’s first attempt to rid himself of his boarding school failed to do more than provide a new, isolated incarceration. He would spend time near the kitchens but found no hope or solace there. He never came to enjoy being saluted all day by other children, sometimes twice his height. He hated the attention and false respect. He never once saluted back.

The other students resented his special treatment and wanted him punished for it but their fear of recourse prevented them from harming him. He was well protected by the very system he condemned. He spent a large portion of his spare time trying to figure out how to get thrown out.

With all other plans resulting in equal amounts of failure, eventually he tried walking out the front door.

At the time he was fifteen years old. The torment of incarceration had been killing him for eight grinding months and it was time for him to find new solutions to the age old problems of food, water and shelter. Solutions did not come easily. His inheritance still years away, he tried to find work but the money he made was not enough to both feed him and pay for a room. Unused to poverty and unable to handle the cold of winter any longer he decided to return to the school, knowing the punishment which would face him.

 

 

The school’s music teacher, Karley Benford, was a gentle man in his late thirties. Known for acts of generosity and kindness as well as a tight musical ear, he’d dabbled in sound recording and had really only started teaching as a cash earning sideline.

Then he met a young girl at a government school named Marissa Clark who’d played Cello. She was brilliantly talented for her age and she had a musical sophistication which made him weep for joy. He’d decided to help her achieve her goal of playing for a symphony orchestra. He’d remained a teacher from then on. Talent was actually fairly common, what was usually lacking was enthusiasm to do anything with it. Karley Benford’s greatest talent was being an inspiration. He created hundreds of musicians in his lifetime. He chose to work in places where music could help people cope with the inhumanity around them. Such opposites were destined to meet.

Karley heard the sound of Greenwich’s guitar from across the adjacent courtyard. A diffuse, windy sound of distorted fingerpicking at first, his growing curiosity was belied by the frown on his brow. He moved with gaining speed to find out who was playing a Mozart piano concerto on guitar so early and how they’d gotten into the building.

The room was intended for concerts and rehearsals. The volume inside the place was profound. Any single mistake on the instrument would be amplified hideously. Karley Benford opened the door. He saw the boy, naked, his eyes closed, the guitar held against his olive skin. It took Karley a moment to make sense of what he was seeing. Even when it made sense it still didn’t feel all that sensible.

Greenwich had spent his life neglecting his talent, hoping it would die. It had taken effort to have no ability for all those years. Playing the way he knew he could, letting go of his tension, feeling the instrument against his ribs vibrating him, the frets were familiar spaces for fingers to tread, strings plucked and tweaked with passion and sweetness, just once making a sweet sound made him feel purged and clean.

The door closed with a pair of loud clicks. Greenwich stopped playing. He saw the teacher.

‘Don’t stop, general. It’s beautiful.’

Suddenly Greenwich felt like a circus seal, honking horns to a wide-eyed lunatic. There was no way he was going to end up a circus freak, having spent years pulling down every tent he could find.

‘I’ll get you some clothes. Keep playing. Really, it’s spectacular.’

It had been. Note perfect, rolling volume, gentle lows, passionate highs, crashing sounds leaping from wood and strings. Rippling, wondrous aural beauty worth millions had moments ago hung suspended in the air. It was gone now, the silence was traumatic. It held the promise of more beauty yet to come. But Greenwich had given his only solo performance.

‘I have clothes.’ replied Greenwich. ‘And no. I won’t ever play again. Now they can come and laugh at me. We can get this ridiculous thing over with.’

‘Put your clothes on. Come with me. Nothing’s going to happen. You’re going to play guitar for the rest of your life.’ It was a well intended remark.

Greenwich held the guitar by its head and smashing its body into the ground until only the neck was left, ‘I don’t think so.’ he said.

Karley Benford looked destroyed. ‘But you obviously love music so much.’

Greenwich wanted to hiss at the man and caught himself about to do it. He breathed stutteringly for a few moments.

‘Are you all right?’

It took a moment before he spoke again, a more composed reply. ‘I’m ready for the punishment now. Bring the students in.’

‘Please put your clothes on and come with me.’ Benford said again, more hopeful and sad than demanding. And Greenwich, mollified, obliged. He got dressed slowly and deliberately, making no effort to rush, giving no indication that his nakedness concerned him even remotely.

They left to meet with the principal.

That meeting went for an hour and a half. Mr. Benford made a strong case for Greenwich’s musical genius and stated boldly that Greenwich would be soon lauded around the world. Principal Gernan was impressed enough by what a star musician could do for the school’s overall reputation, to want to believe Karley Benford uncritically. Greenwich calmly continued to demand punishment.

Principal Gernan had learned long ago that Greenwich’s negotiating style was always the same. He saw you when he was ready, took one position and wouldn’t move a nanometre. The only way you could beat him was to invent constant interuptions which gave you time to think of ways out of corners. This time there was nothing at all he could do. There was no point in a four hour meeting which would end the same way. Vernon T. Gernan said the only thing left to say.

‘Punishment it is then.’

‘Thankyou.’ murmured Greenwich, patronisingly. ‘You’re learning.’

It happened that night. Since it was a non-statutory punishment, no teachers could be present. The students came to the great hall. Greenwich was already waiting. When the doors were locked, the seats were full and the room was dark except for a spotlight on him, he began undressing, deliberately, slowly. The crowd started booing him and laughing. His clothes continued to come off. By the time he was naked they were all laughing, revelling in his moment of torment. Now that he was prone, all their months of rage against him found voice. The cacophony of delight was shattering.

He stood there, his little body, now white and pale against the dark floor and the brazen light. And astonishing them, he began to point and laugh at the invisible crowd around him. He laughed at them, hiding securely in their cloaked darkness, wrapped in clothes. He found them hysterical for their sheer cowardice, laughing harder and harder. After a full minute of his cavorting the entire room was silent, but for Greenwich’s sturdy, insane cackle. His laughter ended in a few deep sighs. There was now total silence. He felt he had their attention.

‘Your punishment is over.’ he said finally, his voice doing laps of the room in echo. ‘I have humiliated you enough.’ it was said as though he was giving them permission to leave but nobody stirred. ‘You may all leave now.’ Generals and privates, they all left, stunned. Greenwich, deliberately, slowly, put his clothes back on.

‘He is a genius.’ many muttered as they watched him calmly cover his naked form. From that day on he was known as The General.

The rest of his education was unremarkable. He graduated eventually and moved into law through a kind of mental inertia. A desire to see the underdog represented, a hunger for finding any loose thread of social justice somewhere among the fabric of regulations and procedures. Clinging to that thread in hope. Tugging it madly if he felt it give any slack.

He’d also never bothered to take any interest in science as his father, Dorian, had hoped. He’d never proven capable of doing mathematics without yawning for boredom in seconds. He had fine language skills and a powerful intellect. Law embraced him. He went to Harvard on a scholarship.

He’d been practising criminal law with a high paying firm for twenty eight years and was thinking about a life in the judiciary when his father died while working on another giant bridge, this time in Columbia. Greenwich Baptiste had also started to go deaf. And as the deafness encroached, the music in his head started to come.

At first it was at night, when he put his head on a pillow, the soft strains of cellos being plucked drifted into him. A rhythm, a pulse. For the first week of hearing the music, Greenwich Baptiste ignored it all but completely. He would awaken tired and unrested. Spend his days with a nose buried in papers, motions, briefs, letters. The world of words pursued him home, keeping him safe from the melodies forming in his mind.

But the darkness would bring to life the sounds in his head all over again and the restless tussle with bedsheets and pillows would begin. Music of sweetness and beauty, of rage and passion filled his failing ears and he found every last note painful to the mental touch.

Soon it was cellos and pianos, percussion, then a unwelcomed brass instrument might chime in with accompaniment from some subtle, floating woodwinds. As time wore on, he slept less and less and the orchestra in his head grew ever more elaborate and populated. The music he heard playing in his head overnight also became more wondrous, spectacular and hurtful to him.

On the morning of September 25th 1998, he awoke hearing the music. It would not go away, even in daylight. He went to see a doctor. He couldn’t hear the doctor telling him that he was now clinically deaf.

‘I think I’m deaf.’ he shouted at the doctor over the hail of the third movement of a long symphony which had lasted the whole morning.

The doctor nodded heavily to show that he’d reached the same conclusion. ‘As a post.’ he yelled back so that the staff in the corridor could enjoy the moment.

Greenwich resigned from his job the same afternoon. His letter of resignation took him three hours to write. It was one paragraph long. The music in his head was becoming a fanatical obstruction.

Whole days became long elegaic compositions, stormy requiems, four part fugues. In terror of never hearing another moment’s silence he determined to hang himself.

Before he slung the rope around his neck, he decided to write one piece of music down. Just a single phrase of sound, so that others might hear the noises which had driven him to lunge for oblivion. A musical suicide note. He found some blank paper and ruled the familiar staff lines, drawing in a treble and a bass.

His hand drifted across the bars, dotting quavers and semi quavers with haste. As he moved along detailing instruments, writing playing instructions… allegro… pianissimo… forte… molto gusto… he felt the sound within his head begin to weaken and perish. The faster he wrote the more silence he heard. When he stopped writing, it began slowly but gaining speed like a marching headache it would torture him louder and louder. Only picking up the pen, and the respite of sleep gave him any relief.

Over the following years he wrote thousands of pieces of music. He awoke with the strong melodies in his head and would command them into silence so long as he was able. He wrote over a hundred sonatas, over three hundred concertos for all ranges of instruments, a hundred symphonies, even fifteen operas and ten film scores. His productivity has never been matched. He wrote his music down for at least fourteen hours a day non-stop. With his reputation as a maestro beyond doubt after ten years of creative output, with recognition of his musical genius all around him, the obvious comparisons to Beethoven made and discussed by university intellectuals, after eighteen years of sonic torture, the rush of music in his head finally died. His creativity had been sapped and extinguished.

‘At last,’ he sighed, ‘her demon is dead.’

‘What are you going to do next?’ he was asked. The question came to him from his agent, Kenny Billings, by mail. Billings had hoped that the answer might involve another opera since the last one had paid for the agent’s second mortgage single handedly.

The reply was short.

‘Enjoy the silence.’

Four years later, aged 73, Greenwich Luis Baptiste died of a massive heart attack. He never married, never had children. His tragic musical legacy, adored by millions, lives on and on. His last words were yelled rather loudly at his live in maid, who occasionally, he crawled into bed and slept with. He said:

‘How come nobody ever listens to a silence the same way they listen to music?’

She, a music lover of old, replied somewhat testily ‘You can’t dance to a silence.’ But of course he never heard her. I like to think that he was too busy dancing.